Another example of a spectacular Kirby flyby. From Fantastic Four # 89 (1969), full-page splash, pg 16. The first image is a scan of the original art, and the second is from the published book.
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There are so many terrific examples of flawless craftsmanship in this book, but I'll only pick one more. This is one of my favorite images of Jack's Crystal -- explosive energy flying out of her hands (page 5, panel 3).
Amazing how Jack and Joe could create so much force and impact with a few well-placed lines. I love Crystal's uniform, with the little "4" on the belt.
I would think these books must have been a huge influence on contemporary comics artists who read the original publications in the 1960s, and the Marvel's Greatest Comics reprints in the 70s.
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Zooming-in, look at the detailed Sinnott inks on the Human Torch. In my opinion, Joe set the gold standard for comics inking excellence with his work on this series.
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There are so many terrific examples of flawless craftsmanship in this book, but I'll only pick one more. This is one of my favorite images of Jack's Crystal -- explosive energy flying out of her hands (page 5, panel 3).

Amazing how Jack and Joe could create so much force and impact with a few well-placed lines. I love Crystal's uniform, with the little "4" on the belt.
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